Thursday, October 31, 2019

First post in a good while...

It’s been a minute. I know.  I’ve been really bad at updating this site, but I’m going to shoot to rectify that.  Starting with this post.  Let me show you something I’ve been working on at the beginning of the month.









If you live in Richmond and watch the news you might recognize your local news crew!  That’s because I was hired to work a two day event with NBC NEWS 12!  One part of it was working at their booth alongside of the crew doing caricatures of the people as they came by.  It was PACKED both days. Once it got going it did not quit both days!  Which is nothing but good news from my perspective.  

The other part was before the event I was also given the task to initially draw three of the news talent!  However three ended up turning to eight plus one after the initial ones were very well received!!  I will say though that this part of the project was a challenge, and not for the reason some might think.

It’s one thing when you’re drawing people live where it’s one shot and let the chips fall where they do.  It’s another when you’re doing commission work with references and some more time to make things work.  It’s a whole other thing drawing people that are on TV.   And not because the client was hard to work with either, because she was probably hands down one of the absolute best I’ve ever had the pleasure of working with.  It’s that when doing this and looking at references of each one I ran into a rather unique problem.  You’re going after likenesses of the subjects, but unlike in most situations the question you end up asking yourself is who are you trying to draw?  The TV personality, the person themself, or both to some fashion.  IMO it’s both, but to a certain degree.  It’s about what the project is being used for.  In this instance I needed to see both downtime and on camera references of each person, including video footage of them.  But at the end of the day at least 5 of these were going to be presented on TV and with that in mind ultimately they needed to be recognizable to the viewers when they watch the spot live.

That said, there were a couple that I had to rework a couple in the process, one mainly because I feel like I saw him wrong and needed to rectify that situation immediately.  Another was due to some personal preferences of the subject themselves.  Which is totally understandable given that presentation is a big part of being on the air.  But in the end it all worked out and alongside the festival work, this turned out to be one of the best jobs I’ve ever got to work!  

Here’s some sketches I’ve done at the event itself...